Articles by Olha Kapinos - AIR Media-Tech Blog - page 7
YOU ARE HERE

Olha Kapinos

Creative Economy Consultant

Follow

Olha Kapinos

Creative Economy Consultant

Olha works in the creator economy and follows it everywhere — from VidCon floors to TechCrunch stages. When she's not tracking trends, she's cycling across continents. She writes about what she actually sees, not what the industry wants you to think.

Author's articles

The Bar Doubles on February 1: YouTube Monetization Requirements 2027 and What to Do Now

6 Oct 2026

The Bar Doubles on February 1: YouTube Monetization Requirements 2027 and What to Do Now The Bar Doubles on February 1: YouTube Monetization Requirements 2027 and What to Do Now

From February 1, 2027, YouTube's monetization requirements for new channels double to 8,000 qualified watch hours or 20 million qualified Shorts views, plus 1,000 subscribers. An application for the YouTube Partner Program (YPP) that reaches YouTube by 23:59 UTC on January 31 is judged against today's bar of 4,000 watch hours, even if the decision comes weeks later. YouTube's help pages don't cover the cutoff, so we asked the partner support team at AIR Media-Tech, an official YouTube partner.

Four Years at $0 on YouTube, Then a First Payout: The Dr Roto Case

6 Oct 2026

Four Years at $0 on YouTube, Then a First Payout: The Dr Roto Case Four Years at $0 on YouTube, Then a First Payout: The Dr Roto Case

Dr Roto ran a Fantasy Sports channel on YouTube for four years, published more than 500 videos, and earned $0 from them. The channel followed all the rules. It just never got into the YouTube Partner Program, which shares ad revenue only after 1,000 subscribers and 4,000 public watch hours in 12 months.

The Sample Nobody Flagged: What Uncleared Samples Do to a Release, and How to Catch Them First

6 Oct 2026

The Sample Nobody Flagged: What Uncleared Samples Do to a Release, and How to Catch Them First The Sample Nobody Flagged: What Uncleared Samples Do to a Release, and How to Catch Them First

If your track has a few seconds of someone else's recording in it, you need permission to release it. That's true even if you never sampled anything yourself and the sample came inside a beat you leased. Without that permission, your distributor can reject the track, Spotify can take it down and hold its royalties, and YouTube's Content ID can send its income to whoever owns the original.